PRIAM
The
French instrumental progressive fusion quartet Priam was founded
out of the ashes of the late-eighties progressive rock group
Arlequin, which featured guitarist and composer Chris Casagrande
and keysman Laurent Lacombe-Colomb. To complete Priam's lineup,
Bertrand Hulin-Bertaud was recruited on bass guitar, along with
the mysterious Emma M. on percussion.
The
members of Priam have widely varying interests in playing and
studying music. Casagrande is currently a music professor at
University of Toulouse, teaching and researching the concept
of energy in contemporary music. He has studied guitar and jazz
composition in prestigious music schools in France. Lacombe-Colomb
studied jazz at the same music academy as Casagrande. He is
investigating the effect on composition techniques due to computers
and other modern technologies. Hulin-Bertaud also attended music
school with Casagrande. His influences are exceedingly diverse,
ranging from classical giants like Bach and Mahler, to prog
rock luminaries Yes, Anglagard and Magma, to fusion pioneers
Miles Davis and Mahavishnu Orchestra. The drummer incorporates
influences of modern techno music such as The Future Sound of
London, Aphex Twin and Kraftwerk, into his playing, while staying
true to the progressive tradition.
Priam
has played many European music festivals during the past couple
of years, most notably the Corbigny ProgLive event. They have
also performed at the Toulouse Jazz Festival, where they related
the audience's shock when a progressive rock band hit the stage.
"That night the club was bursting (200 to 250 people). After
five minutes about a third of the public ran away wondering
what had hit them. Obviously some of them were shocked to see
four guys playing a very percussive music, with a loud sound
and jumping all around the stage. They probably thought aliens
had landed. It was brilliant and we even managed to sell a few
albums!" Priam is not satisfied to rehash old prog clichés.
Hulin-Bertaud explains, "perhaps the fear to fall for what has
already be done prompts us to push some of our ideas to the
extreme." As a live act, Priam uses their studio compositions
as launching points for some improvisatory explorations.
Priam's
debut record for Musea Records, "three distances
irregular
signs", features extended melodic guitar-led progressive fusion
excursions, with alternating soaring and biting licks, along
with an atmospheric sensibility. There are some shorter, more
acoustic, tracks as a break to the more frenetic proceedings.
Their second album, which is expected to be released around
the time of NEARfest 2000, will bring the band's passion for
improvisation and electronic music to the fore. A 30-member
choir will be involved, as well as a string quartet and clarinet
and saxophones. The sampler, groovebox and other electronic
machines will also appear, managed by composer Casagrande.
The
members of Priam are close friends who play intricate compositions
with energy and passion.
NEARfest
is very pleased to be able to host the North American debut
of this superb band as the opening act for the weekend's festivities.
We expect their show will result in much wider notoriety within
the ever-growing progressive rock community.
Discography:
three
distances
irregular signs (1997)
website:
www.multimania.com/priam
email: hulinfamily@eircom.net